A imagem como instrumento de identidade - A figuração de São Jerónimo no manuscrito Bíblico ANTT, Lorvão 45

Authors

  • Inês Correia Torre do Tombo; Instituto de Estudos Medievais FCSH – UNL ines.icplanet@gmail.com

DOI:

https://doi.org/10.4000/medievalista.824

Keywords:

Medieval manuscript; Iconography; Scribe; Saint Jerome; Bible.

Abstract

Our discussion focuses on the image of the 'Scribe' that fills the first initial of a 13th century Bible, Ms. ANTT, Lorvão 45. It reflects an exercise of analysis based on Panofsky's method, but complemented by the vision of image as a possible result of multiple meaning, applied by Jean Wirth as hybrid iconography.
Several 'Scribe' images, from Bibles of the same period, are compared with earlier ones, in order to achieve a deliberate iconographic system, which relates the Scribe (as scriptor) with Jerome (Doctor of the Church).

 

Bibliography:

GUGGENHEIM, Antoine: Entre lettre et esprit. Juifs et chétiens autour de la Bible aux IX-XIII siècles. Communio nº XXVI, 1 janvier-février 2001, pp. 75-88.

JOLLY, Penny Howell: Antonello da Messina's Saint Jerome in His Study: An Iconographic Analysis. The Art Bulletin, Vol. 65, No. 2 (Jun., 1983), pp. 238-253.

KURETSKY, Susan Donahue: Rembrandt's Tree Stump: An Iconographic Attribute of St. Jerome. The Art Bulletin, Vol. 56, No. 4 (Dec., 1974), pp. 571-580.

MICHOLETT, Bernard: Le statut du Livre dans les monothéismes: quelques enjeux. Lumière & Vie, nº 255, 2002, pp. 107-122.

WILLIAMS, Megan Hale: The monk and the book : Jerome and the making of Christian scholarship. Chicago: University of Chicago Press, 2006.

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Published

2012-01-01

How to Cite

Correia, I. (2012). A imagem como instrumento de identidade - A figuração de São Jerónimo no manuscrito Bíblico ANTT, Lorvão 45. Medievalista, 1(11). https://doi.org/10.4000/medievalista.824

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Articles